Skip to main content

Quick hits: Tumblr does infoviz

Check out dataviz.tumblr.com, a two-month-old collection of charts, information graphics and other artifacts to ponder. Naturally, some are richer and more compelling than others. Three particularly clear, thoughtful examples:

Instrument Range What I like: Color coding, always a plus if used intelligently; excellent labeling (sonic frequencies, where octaves start) — which is almost unnecessary given the clever use of the keyboard as the Y axis; X-axis groupings demonstrate not only how categories of instruments compare, but also how each instrument compares with other members of its category. Wishlist: There's not much that needs improvement here. Use a serif font, maybe?

Comparing Dangers of Popular Drugs What I like: Shades of solid gray, perfect for photocopying; legible and consistent presentation; table of numbers alongside chart — potentially a distraction — underscores message and clarifies why drugs are charted in this order (by user dependence, in descending order). Wishlist: I'd love it if data sources were identified somewhere within or next to the graphic (to see those, you have to go to the original page). Also, it appears the data has been cherry-picked to make a particular case (ahem); it would be helpful — if potentially less persuasive — to use aggregated scientific results (aka consensus) on each of the drugs' various attributes.

The Trilogy Meter. What I like: Small multiples! (Why don't we see those more often?) The simplicity of the presentation makes it both straightforward and elegant — instantly understandable, with no clutter; attractive color choices, too. Wishlist: As with the drug chart, if the creator wants to convince the public at large, he'd be on more solid ground if he derived each data point from a broader consensus of sources. Also, for greater legibility, the numbers could be larger and black instead of white.

I'll be keeping an eye on this page, for sure. Many thanks to the anonymous infoviz maven(s) responsible.

[Tumblr tip via Datavisualization.ch]

Comments

Popular posts from this blog

I want to be Jorge Camoes when I grow up.

Portuguese infoviz enthusiast Jorge Camoes has spent the last year and a half writing informed, insightful blog posts on the field, complete with examples and citations. To his credit, he approaches everything -- even the revered work of Edward Tufte and Stephen Few -- with loving skepticism. I'm gratified, too, that he seems to agree with me on one central point: Snazzy tools alone don't get you good data visualization. It all comes down to putting serious thought into the project before you plot the first data point. In future posts we'll discuss more of Jorge's ideas. Bem feito, o Sr. Camoes!

Everybody loves visual information — especially Abraham Lincoln.

Infographics are clearly having a cultural moment. They have become pervasive in newspapers, magazines, blog posts, and viral tweets; they appear on television and in advertising, in political campaigns and at art openings. As a Google search term, “infographic” has increased nearly twenty-fold in the last five years. Yet infographics have been popular, in one form or another, for centuries. The source of their power isn’t computers or the Internet, but the brain’s natural visual intelligence. Gareth Cook , the editor of Best American Infographics 2013 , has put together a short but true summary of the history of information graphics. (Many of you who see this blog may know most of it already.) His striking lede recounts how much Abraham Lincoln valued his "slave map," shown above. Lincoln's reliance on the shades of gray throughout the Confederacy made an enormous difference in his Civil War decision-making. Fortunately it's rare that most people have to make l

Listing information design's most pressing issues

At his blog, Michael Babwahsingh says a number of smart things about the current status and ultimate value of information design. Number 8 is an excellent sample of his sensible macro approach: 8. Commercialization For several years now, the infoviz/dataviz trend has become infused in popular culture; the influence of the information design aesthetic is everywhere, from movie sequences to music videos to  art exhibits . Although the intent is often  tongue-in-cheek , and may even indirectly promote information design, there is still a risk of diluting, muddling, or flat-out mocking a field that has yet to really define and take ownership of itself. News features and special issues on information design are becoming more common, particularly in the graphic design world, but the tendency is towards visual appeal and surface-level scans over deep investigation (examples include Grafik magazine’s April 2010 issue,  Eye Magazine’s Winter 2010 issue , and Fast Company’s  Co.Design  blog