Charles Booth: "distilling an avalanche of information"

Belated kudos to this fascinating infoviz item from mid-May.

Mr. Booth had set out to discover how many people were living in poverty, to determine why and what could be done to help them. As well as proving that there was much more poverty in London than the official statistics suggested, his research revealed the nuances of an increasingly complex city with different degrees of hardship, where the rich often lived alongside the poor. Still seen as landmarks of sociological research, his maps are to be exhibited in the new Galleries of Modern London opening Friday at the Museum of London.

“Booth’s Maps are important documents of mass poverty, but by drilling down and giving huge amounts of detail, they do more than analyze it statistically,” said Beverly Cook, curator of social and working history at the Museum of London. “Many writers and artists of the time saw London as a divided city, split between rich and poor, but these maps show its complexities. In many respects, they give a more realistic portrayal of working class life in London than Charles Dickens’s novels.”

An Early Triumph in Information Design - NYTimes.com

Comments

I want to be Jorge Camoes when I grow up.

Portuguese infoviz enthusiast Jorge Camoes has spent the last year and a half writing informed, insightful blog posts on the field, complete with examples and citations. To his credit, he approaches everything -- even the revered work of Edward Tufte and Stephen Few -- with loving skepticism. I'm gratified, too, that he seems to agree with me on one central point: Snazzy tools alone don't get you good data visualization. It all comes down to putting serious thought into the project before you plot the first data point. In future posts we'll discuss more of Jorge's ideas. Bem feito, o Sr. Camoes!

Everybody loves visual information — especially Abraham Lincoln.

Infographics are clearly having a cultural moment. They have become pervasive in newspapers, magazines, blog posts, and viral tweets; they appear on television and in advertising, in political campaigns and at art openings. As a Google search term, “infographic” has increased nearly twenty-fold in the last five years. Yet infographics have been popular, in one form or another, for centuries. The source of their power isn’t computers or the Internet, but the brain’s natural visual intelligence. Gareth Cook , the editor of Best American Infographics 2013 , has put together a short but true summary of the history of information graphics. (Many of you who see this blog may know most of it already.) His striking lede recounts how much Abraham Lincoln valued his "slave map," shown above. Lincoln's reliance on the shades of gray throughout the Confederacy made an enormous difference in his Civil War decision-making. Fortunately it's rare that most people have to make l

Hype and backlash:
visualizing pop culture trends

Back in 2005, the astute pop-culture chronicler Adam Sternbergh pointed out that a person's opinion of any given entertainment product depends largely on how long they've been aware of it — that is, where the product sits on the sine-wave timeline of public expectations (aka buzz). His findings, in chart form: "Welcome to the undulating curve of shifting expectations—the Heisenbergian principle by which hype determines how much you enjoy a given pop-culture phenomenon. The first-wave audience is pleasantly surprised, but the second-wavers feel let down; then the third wave finds it’s not as bad as they’ve heard—and they’re all watching the exact same show." Almost five years later, this pattern describes just about all our collective experiences. Sports fans, how much sweeter was it to watch the New Orleans Saints come out of nowhere to win the NFC championship than to have seen the Minnesota Vikings do it for the umpteenth time? As for politics, consider the poll

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