Well, first of all, he's my hero, and has been since I first attended one of his seminars back in 1987. More to the point, I'm far from alone in my appreciation of him , and here's why: I described Edward Tufte as a graphic designer, but that’s not exactly right. His field is almost sui generis, containing bits and pieces of art direction, data-crunching, economics, historical research, and plain old expository writing. It’s often labeled “information architecture,” or “analytic design.” Tufte himself describes it many ways, but one is drawn from a classic piece of science writing: “escaping Flatland,” or using paper’s two dimensions to convey several more. Another, more acidic description: “getting design out of fashion and out of the hands of Microsoft.” His four books have collectively been called a Strunk and White for design. Tufte works by showing both outstanding and horrid graphics he’s found, improving upon the latter, and his principles take on the meditative qual...