Posts

"We Didn't Start the Fire," graphed

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Pop music nerdery for the win. Thank you, Tom Lum .

Everybody loves visual information — especially Abraham Lincoln.

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Infographics are clearly having a cultural moment. They have become pervasive in newspapers, magazines, blog posts, and viral tweets; they appear on television and in advertising, in political campaigns and at art openings. As a Google search term, “infographic” has increased nearly twenty-fold in the last five years. Yet infographics have been popular, in one form or another, for centuries. The source of their power isn’t computers or the Internet, but the brain’s natural visual intelligence.  Gareth Cook , the editor of Best American Infographics 2013 , has put together a short but true summary of the history of information graphics. (Many of you who see this blog may know most of it already.) His striking lede recounts how much Abraham Lincoln valued his "slave map" (featured in an earlier blog post ). Lincoln's reliance on the shades of gray throughout the Confederacy made an enormous difference in his Civil War decision-making.  Fortunately it's rare that mos

What Not to Do with Infographics, now in handy infographic form

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This is an amusing yet cautionary illustration that expresses exactly what I hate about so very many infographics. This approach dumbs down the information under the guise of making you smarter. Hat tip: VizWorld .

Listing information design's most pressing issues

At his blog, Michael Babwahsingh says a number of smart things about the current status and ultimate value of information design. Number 8 is an excellent sample of his sensible macro approach: 8. Commercialization For several years now, the infoviz/dataviz trend has become infused in popular culture; the influence of the information design aesthetic is everywhere, from movie sequences to music videos to art exhibits . Although the intent is often tongue-in-cheek , and may even indirectly promote information design, there is still a risk of diluting, muddling, or flat-out mocking a field that has yet to really define and take ownership of itself. News features and special issues on information design are becoming more common, particularly in the graphic design world, but the tendency is towards visual appeal and surface-level scans over deep investigation (examples include Grafik magazine’s April 2010 issue, Eye Magazine’s Winter 2010 issue , and Fast Company’s Co.Design blog posts

Infoviz for the people: Mass media mentions

Increasingly, it seems, mass media outlets are talking up infoviz. Great news for us here at Synoptical Charts, but more than that, helpful for people in businesses that demand clear, concise and logical communication. In other words, everybody. Today's installment, from Forbes.com : ...[W]hile Hadoop may be the poster child of Big Data, there are other important technologies at play. In addition to Hadoop, the open source framework for distributing data processing across multiple nodes, these include massively parallel data warehouses “that deliver lightening [sic] fast data loading and real-time analytic capabilities,” as the report states; analytic platforms and applications that allow Data Scientists and business analysts to manipulate Big Data; and data visualization tools that bring insights from Big Data analysis alive for end-users. Big Data is Big Market & Big Business - $50 Billion Market by 2017

Recommended: a new review "zoo"

"A Tour Through the Visualization Zoo" is a fantastic introduction to some attractive and sophisticated new visualization formats. The article and illos were put together by Stanford's Jeffrey Heer, Michael Bostock, and Vadim Ogievetsky. Heer is an HCI/visualization genius whose journal articles I've been following with interest; Bostock is the whiz behind the D3 archive of javascript code for visualization. Run, don't walk. It's great.

Sociological mapping on a grand scale in London

Booth’s Maps are important documents of mass poverty, but by drilling down and giving huge amounts of detail, they do more than analyze it statistically,” said Beverly Cook, curator of social and working history at the Museum of London. “Many writers and artists of the time saw London as a divided city, split between rich and poor, but these maps show its complexities. In many respects, they give a more realistic portrayal of working class life in London than Charles Dickens’s novels. By making something so complicated seem straightforward, Booth’s Poverty Map was also a triumph of information design. It fulfilled one of design’s most useful functions — helping us to make sense of the world — by distilling an avalanche of information into a clear, coherent form. An Early Triumph in Information Design - NYT.com